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Archive for: Case Studies

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Southgate Launch Video Diaries

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March 5, 2012

Client:  DEXUS

Studio 33 was approached by DEXUS to produce a series of video diaries for the upcoming launch of their newly refurbished Southgate Centre on Southbank in the Melbourne CBD.

The focus of the video diaries was to track the refurbishment of an existing famous sculpture named Ophelia, and the custom build and installation of a massive atrium sculpture suspended over the main entrance named Riverside Corolla.

We had our cameras rolling from the very beginning, so that we could capture the entire process from the earliest stages. For Ophelia, we documented the statue being removed from the wharf and transported to the workshop where it would be refurbished. Deborah Halpern, the artist who originally created the statue 20 years prior, helps tell the story of Ophelia as we watch her restore the artwork. It was then placed back in its iconic location, where it is known as the “meeting point” for locals.

Riverside Corolla was a structure that was built especially for the new Southgate centre. John Meade designed and created the artwork, with our cameras there every step of the way. He also tells the story of the process, with his passion bringing an emotional element to the video diary. We see the transformation of construction from scaled model to actual size, climaxing with the installation into the centre.

Additionally, Studio 33 was across all production and post-production stages of the Southgate launch, also providing the introduction for the Southgate Cinema as well as highlight reels of the VIP launch night hosted by Corinne Grant, and the public launch event which involved salsa dancing on the wharf, aerobic performers and spectacular fireworks.

Kit Kat Chunky 3 TVC

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February 27, 2012

Client: Newcast / Zenith Optimedia for Nestle

Studio33 was approached by the Newcast team at Zenith Optimedia to create a 3 minute television event for Nestle’s new Kit Kat Chunky 3 range.

After collaborating with Chieftains Communications to detail the direction of the project and the stunt, a storyboard was created for the shoot. Studio33 then partnered with the agencies from the pre-production phase and provided complete production and post-production services.

There were no shortage of challenges and considerations as we were tasked with creating and capturing a dramatic story in the lead up to a death-defying live stunt as our hero was taken from his workplace, shot off a cliff on a flying fox, and landed in a moving speedboat down below!

Eight cameras covered the stunt as follows: 2 x Canon 5D cameras, 2 x Sony EX3’s, 4 x Full HD Mounted Go-Pros. Our primary cameras captured great footage from all angles both close and wide, whilst our four GoPro units were mounted on the talent’s helmet, our speedboat, and the nose of our two jetskis.

With only limited suitable tidal conditions, and being in a valley at Woronora we also had to make sure we had everything covered before the sun ducked behind the valley wall for the day.  Thanks to great organisers and a talented stunt team we managed to capture the perfect shots we were looking for.

The final three minute piece of content was played as an advertised event on the Go! Channel on Sunday night television, before going online.

Show Us Your Lungs Campaign

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February 27, 2012

Client:  Burson-Marsteller for The Australian Lung Foundation

In an effort to attract more awareness to the Lung Health Check on their website, the Australian Lung Foundation and Burson-Marsteller created a campaign called “Show Us Your Lungs”. The idea was to gain interest using a cheeky approach by having “flashers” show members of the public their lungs, and thus spreading the message that people should have their lungs checked.

Studio 33 was approached to help develop the campaign by producing three videos; a Teaser, a Launch video, and a Community Service Announcement (TVC). The purpose of the Teaser video was to create hype and to get people talking about what these flashers might be doing. The Launch video was to be shown at the campaign launch event in October, as well as online. Most traffic was driven through social media. Finally, a TVC was made to raise more awareness through television

Studio 33 was an important part of the creative process throughout the development stages of the campaign. We created shot lists and storyboards for the 15 second Teaser, the 30 second Launch video, and the 30 second TVC. After collaborating closely with Burson-Marsteller, the storyboards were approved and the next step was to organise the shoot day. This involved casting actors who had lungs (at various health stages) painted onto their chests by an experienced body-painter, as well as booking crew, locations, and extras. We also filmed reputable actor John Jarrett who appeared as the celebrity spokesperson in the Launch video and TVC.

In post-production, the three videos were then edited for a tight delivery time frame. The first two were successfully shown on youtube, while the TVC was rated and sent to networks. All-in-all, a fun and exciting new campaign was launched, with the help of Studio 33 and the Neon team.

Xperia Smartphone – Punked Videos

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February 22, 2012

Client:  Encoder PR for Xperia Smartphone – Punked Videos

As part of the launch campaign for the new Sony Ericsson Xperia smartphones in May 2011, Encoder PR approached Studio33 to make two “Punked” style clips for Sony Ericsson’s online campaign, with the aim that the clips would gain traction on line.

A promotional campaign was launched nationally to raise awareness of the Sony Ericsson Xperia Play, which is the world’s first Playstation certified Android smartphone. Studio33 was asked to follow some of the Xperia Play characters and capture the candid reactions of people as they watched guitar legend Slash, NFL player Madden and Assassin’s Creed’s Ezio interacting with people. We spent the day filming with a HD Handycam – for the intended homemade feel – in various Sydney locations including Bondi Beach, Lane Cove and the CBD.

After capturing a wide variety of reactions, along with some creative antics from the characters resulting in hilarious moments, we went back to the Studio to begin the editing process for next-day delivery. From the footage we were able to produce two videos overnight, which were approved by Encoder PR and uploaded to the Sony Ericsson youtube channel. All in all, it was a fun day of filming with great results for the client.

Ensemble Branded Entertainment – TVC for Lipton Chai Latte

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February 21, 2012

Client: Ensemble Branded Entertainment – TVC for Lipton Chai Latte

Studio33 was once again approached by Ensemble Branded Entertainment to create a TVC where we would be involved across all levels of production.

After collaborating with Universal McCann to detail the direction of the project, a storyboard was created for the shoot. Studio33 was then further involved in the production and pre-production of this television commercial for Lipton’s new Chai Latte sachets.

We were asked to capture everyday Australians and their thoughts after sampling the well-received product. Using a Canon 5D camera, and a 7D camera, we filmed the target market’s initial reactions while drinking the product at the Brisbane Winter Festival, of which Lipton Chai Latte is the main sponsor.

Fighting adverse weather conditions throughout 3 days of filming on and around an outdoor ice rink, we managed to capture the perfect shots we were looking for. Back to our Sydney studio to begin post production and select the best responses from the vast amount of voxpop grabs as well as shots of our talent and product to match the storyboard and then delivered the completed TVC to networks and a satisfied client.

Australian Defence Force – Navy

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February 21, 2012

Client: Australian Defence Force – Navy 

Studio33 provided full pre-production, production, and post-production services to support the Ensemble Branded Entertainment team to create a series of Day In The Life style videos – with a creative twist.

We were tasked with the need to create recruitment advertising for the Navy that truly contrasted the every day working life, next to ‘the Navy Life’ using Ensemble’s creative delivery concept of ‘Not 9 to 5’

As part of a larger digital campaign Studio33 began storyboarding A Day in the Life of three young people, and painstakingly laid out side by side scripts for them to be played in a twin viewer – side by side next to three Navy counterparts.

This resulted in vision truly communicating the difference between the variety and types of work experienced in the Navy, set against the frustrated and often mundane day-to-day average ‘9 to 5’ job.

Each second of each scene was mapped to flow through the daily routines of the individuals we followed, so that getting stuck in traffic in our every-day life video would be contrasted against, hopping off a helicopter, or crossing the harbor in a Navy vessel.

The result was 4 x 90 second videos.

Studio33 then collaborated with Soap Creative creating the destination site for the campaign.  This included working with Soap to detail the words and actions of a select few Navy personnel who were invited into our green screen studio to shoot grabs for the website.

The end result was great, as our ‘every day life’ video began to play, a second video viewer screen was helicoptered onto the screen containing our second video… but it was being marshaled into position on screen by our  miniature defence force characters from the video themselves who then invite the viewer to “Check out what I do!”

Thanks to a smooth planning and production process and great co-operation from agencies and The Defence Force, the project went off without a hitch.

Special thanks to our client and for the Defence Force in a great effort in gaining us access to highly-classified Defence Force locations and friendly personnel.

The new Sony PMW-F3 camera was put through its paces and really passed the test to leave us with great cinematography from shots taken in handheld mode, on sticks/tracks, loads of Easyrig action…even some from  a mini-gyro system to stabilise the shots from a Navy RHIB Speedboat at full pave on the harbour.

The Defence Force footage was filmed on board Navy Vessels at Woolloomooloo, HMAS Albatross air base down in Nowra, and in Studio33’s own green screen studio.

Frontline Plus TVC

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February 21, 2012

Client: Ensemble Branded Entertainment – TV Commercials for Frontline Plus

Ensemble Branded Entertainment approached Studio33 to provide pre-production, production and post production services to create two  television commercials for Frontline Plus (Merial).

The TVC’s included TV vet Dr Harry Cooper reminding audiences of the importance of monthly flea and tick treatments for pets – full credit goes to Billy the border collie, and Tigger the cat for their work!

Shot in a beautifully landscaped garden on Sydney’s north shore,  the post-production process produced 2 x 15 second ads produced with a fast turn-around and network delivery to meet the client’s on-air dates.

An additional TVC involved showing young pups in the process of being trained to be guide dogs, another Frontline Plus initiative. 

XBOX Kinect

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February 21, 2012

Client: Ensemble Branded Entertainment – TVC’s for XBOX Kinect

Ensemble Branded Entertainment approached Studio33 to provide pre-production, production and post production services to create a series of television commercials.

After working closely with Universal McCann on the creative direction of the project, Ensemble approach Studio33 to provide production and post production services to create six TVC’s to be aired for the pre-Christmas launch of revolutionary new gaming product Microsoft developed for XBOX known as ‘Kinect’ 

Our direction was to capture real Australians playing Kinect for the first time at public event locations in order to capture their natural reactions to this breakthrough product for use in the TVC’s

After 7 days of shooting at public event locations with hundreds of first-time players, we began post-production with an enormous amount of footage and voxpop grabs and after a lot of hard work from an exceptionally talented team, we produced six TVC’s and one happy client.

Nuance & Dragon Naturally Speaking Software

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February 21, 2012

Client: EncoderPR for Nuance & Dragon Naturally Speaking Software

Encoder PR, part of Burson Marsteller, approached Studio33 to work with their client Nuance for their video production requirements to promote their new range of software into the local market.

The software is called Dragon Naturally Speaking and allows users to speak in a natural manner and have their laptop, iphone or ipad convert their words into messages – 100% handsfree.

Encoder’s talented team drove the creative and Studio33 joined in at the pre-production phase to help steer things in the right direction and assist scripting three character based situational pieces that demonstrate the functionality of the programs.

We were also fortunate to have well-known actor Spencer McLaren on board as our main character which made the video production a breeze shooting in Ultimo studio.

Back to the edit suite for Studio33 to produce the 3 videos interspersed with cutaway shots of product functionality… and up live on the web in time for the Australian product launch!

Aussie Home Loans – Amnesia Razorfish

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February 21, 2012

Client:  Amnesia Razorfish for Aussie Home Loans

Leading digital agency Amnesia Razorfish was looking to create additional video content to boost the social media objectives of their client Aussie Home Loans.

John Symond, Executive Chairman and Founder of Aussie Home Loans is a recognised authority in the mortgage industry and his opinion is highly regarded so it made sense for Amnesia to use him to present his opinion by filming him answering questions once a month straight after the Reserve Bank of Australia publicises what they are doing with interest rates.

The agency were looking to maximise Aussie’s presence on-line and decided the best way to achieve this was by using video content.

Studio33 manages the monthly production and post-production process supplying two-camera coverage for the monthly shoot at Aussie’s premises.

The same day, our post-production team turn around 8 to 10 short videos and supply them to Amnesia’s team to load them up on various social media sites including their Youtube channel.  Timing is critical before the news becomes old.

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